Zum, by Quartango 1995. This was our first choreography after having been influenced (in person) by Milena Plebs and Miguel Zotto.
then there’s this… by the way, I made this dress for Danielle. It didn’t turn out so well, so we cut it up and turned it into a performance costume.
and then there’s…
improving to a bass solo by Pablo Aslan at GT’s inaugural ‘permanent’ evening in the ballroom at 4848 St-L
improving to Sexteto Canyengue in our dance hall in 1996, after their performances at the Montreal Jazz Fest
improving to Sexteto Canyengue (2) in our dance hall in 1996, after their performances at the Montreal Jazz Fest
perhaps more in the future